Cartoon Capitulation

In a recent essay for the German magazine Der Spiegel, Henryk M. Broder addresses the frequent unwillingness of Europeans to stand up to Islamist intimidation, and the chilling effect this has had on free expression in Europe. Broder sees this phenomenon as merely a symptom of a broader European lack of will in defending their societies and their values. In my view, he makes a compelling case:

One had to look very closely to recognize the first signs of a brewing crisis. In Berlin, the Rote Grütze theater group was performing an enlightening piece called "Who Said Anything About Love?" To advertise the play, posters depicting a young man and a young woman, naked and full of innocence, were handed out in schools.

The schools had no qualms about displaying the posters, until a school official from Berlin's Tiergarten district requested a permit from the city's education authority. The agency turned down the request, arguing that the poster could hurt "the feelings of non-Christian pupils." The education authority was acting preventively and with what amounted to exaggerated concern for a cultural minority that had yet to be integrated into permissive German society. No Muslim pupils had complained about hurt feelings, nor had their parents expressed concerns about immoral harassment.

That was 10 years ago. Today everything has changed, except the resolve not to hurt the feelings of Muslims. The issue today no longer revolves around a group of Berlin pupils with an "immigration background," but around 1.3 billion Muslims worldwide -- many of whom are thin-skinned and unpredictable. At issue is freedom of opinion, one of the central tenets of the Enlightenment and democracy. And whether respect, consideration and tolerance are the right approach to dealing with cultures that, for their part, behave without respect, consideration or tolerance when it comes to anything they view as decadent, provocative and unworthy -- from women in short skirts to cartoons they deem provocative without even having seen them.

The controversy over the 12 Muhammad cartoons that were published in the Danish newspaper Jyllands-Posten in September 2005 and led to worldwide protests and unrest among Muslims was merely a taste of what is to come, a dress rehearsal for the kinds of disputes Europe can expect to face in the future if it does not rethink its current policy of appeasement. As was the case in the 1930s, when Czechoslovakia was sacrificed in the interest of peace under the Munich Agreement -- a move that ultimately did nothing to prevent World War II -- Europeans today also believe that an adversary, seemingly invincible due to a preference for death over life, can be mollified by good behavior, concessions and submission. All the Europeans can hope to gain in this asymmetric conflict is a temporary reprieve, a honeymoon period that could last 10, 20, or maybe even 50 years. Anyone on death row breathes a sigh of relief when his execution is postponed to some indefinite time in the future.

The uproar over the Muhammad cartoons was symptomatic precisely because what triggered it was so insignificant. The drawings themselves were unbelievably harmless.


"Hurray! We're Capitulating!"